FBI, created by Dick Wolf, is a procedural drama that follows the operations of the Federal Bureau of Investigation’s New York office. Since its debut, the show has garnered a strong viewership, benefiting from Wolf’s signature storytelling, fast-paced action, and a loyal fan base that enjoys crime dramas. However, despite its longevity and commercial success, FBI often feels amateurish in its depiction of law enforcement, failing to do justice to the real-life work of the agency.
One of the biggest strengths of FBI is its adherence to the procedural format that Dick Wolf has mastered over decades. The show offers viewers a sense of familiarity—each episode presents a crime, an investigation, a chase, and a resolution, all tied together with a clear sense of urgency. The cast, led by Missy Peregrym as Special Agent Maggie Bell and Zeeko Zaki as Special Agent Omar Adom “OA” Zidan, brings a decent amount of charisma to their roles. The show also benefits from well-choreographed action sequences and high-stakes cases, which keep audiences engaged.
Another aspect that works in FBI’s favor is its ability to address contemporary issues. Episodes often tackle terrorism, cybercrime, and domestic threats, making it feel relevant to the current geopolitical landscape. The integration of forensic technology and surveillance techniques also attempts to add authenticity, even if the execution sometimes falls flat.
While FBI is undeniably entertaining, it often fails in its portrayal of the Bureau’s actual work. Instead of presenting intelligent investigative tactics, the show leans heavily on dramatic moments that feel unrealistic. The agents frequently call out suspects from a mile away, creating unnecessary chances for shootouts or chases rather than demonstrating smart fieldwork. The show might have been more accurately titled FRB (Federal Running Bureau) instead of FBI, given how often the agents seem to rely on running after criminals rather than using strategic intelligence.
Additionally, the storylines lack originality. After watching a few episodes, it becomes incredibly easy to predict how each one will unfold. The treatment of cases follows a repetitive formula—crime, chase, brief suspect confrontation, resolution—without much room for depth or surprises. Unlike Law & Order or Chicago PD, FBI struggles to introduce fresh, compelling narratives that keep the audience guessing.
Perhaps the most amusing element is the portrayal of ASAC Jubal Valentine (Jeremy Sisto). As the Assistant Special Agent in Charge, he is often shown pacing around the control room, barking orders, and demanding instant results—as if the FBI operates like a high-stakes game show. His exaggerated sense of urgency makes him seem more like the actual head of the unit rather than just the ASAC, overshadowing SAC Isobel Castille (Alana De La Garza), who should be the one calling the shots. The characterization is both misleading and unintentionally comedic.
Another questionable casting choice is the character of Special Agent Stuart Scola, played by John Boyd, whose demeanor lacks the gravitas of a seasoned field agent. Similarly, Special Agent Omar Adom “OA” Zidan, an ex-military specialist, often appears more erratic than tactical, making it hard to take him seriously as a former elite operator.
Despite its flaws, FBI remains an enjoyable watch for those who appreciate procedural dramas with fast-paced action and predictable resolutions. It thrives on its formulaic approach, making it an easy pick for casual viewers who enjoy episodic crime-solving without too much complexity. However, for those seeking an authentic and nuanced portrayal of the FBI’s work, this show may fall short.
If you enjoy fast-paced action and a by-the-numbers procedural format, FBI is a serviceable watch. But if you’re looking for depth, authenticity, or unexpected twists, you might find yourself rolling your eyes more often than not. With a little less running and a little more realism, the show could have been something truly special.
Trivia: Dick Wolf had been pitching a series focusing on the FBI to NBC for years, hoping to spin it off from Law & Order: Special Victims Unit (1999). However, NBC never pursued the idea, allowing CBS to seize the opportunity. This marked Wolf’s first series not to air on NBC, proving that even in rejection, great ideas can find a home elsewhere. (trivia Source IMDB)
